Description
- Allegro
- Adagio molto espressivo
- Scherzo: Allegro molto
- Rondo: Allegro non troppo
- Tempo di ciaccona
- Fuga
- Melodia
- Presto
- Moderato
- Allegro molto
- Delius – Lullaby for a Modern Baby (1922-23)
Beethoven – Sonata for Piano and Violin, Opus 24, The Spring
Bartok – Sonata for Solo Violin (1944)
Bax – Sonata No. 3 in G minor for Violin and Piano (1927)
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‘Their performance is a zestful and dazzling rediscovery of a familiar masterpiece … enchantingly done.’
Nigel Simeone, International Record Review – November 2014
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‘Holmes and Dickinson interpret the Beethoven ‘Spring Sonata’ with zest and appeal, the luscious tones of the violin supported with lively and lucid piano textures… a highly individual and arresting interpretation’
Arietta (The Journal of the Beethoven Society in Europe) Vol. 8, 2014
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‘In Holmes and Dickinson’s hands Beethoven’s evergreen (most popular)Violin Sonata, No 5, ‘The Spring’, has an invigorating spontaneity with currents of burgeoning growth. It’s quite the equal of any recording from within the ranks of the elect: Elman, Erica Morini, Adolf Busch with Rudolf Serkin, Menuhin and Kempff or the monumentally vaunted Anne Sophie Mutter and Lambert Orkis.’
Music and Vision August 2012
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‘His firm tone and strongly shaped phrasing are impressively consistent and help to bring an almost epic quality to this powerful, uncompromising music.’
Gramophone of Bartók
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‘Three previously unreleased BBC recordings and a CD transfer remind us of an illustrious British violinist who died tragically young (1937-84). The account of Beethoven’s “Spring” Sonata, OP 24 in F, has a brilliant, soaring freshness (echoed by Dickinson’s playing), a forwardness of sound not matched by this version of Bartok’s solo Sonata, taken from an Argo LP, though the interpretative intensity here is powerful. Arnold Bax’s chromatically ardent two-movement Sonata No 3 is made sumptuous and vivid; and the encore, Delius’s tiny Lullaby for a Modern Baby, for piano, with an obbligato to be hummed or, as here, taken by muted violin, is sweet and captivating.’
Sunday Times ‘This Week’ – ‘On Record’